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#Boa valenti chords how to#

The few times where she did push her mix, it’s clear that she would bring either too much chest or too much head and make it sound rather uneven with a lot of tension and shallow support. One of BoA’s strengths is the fact that most of her songs are in a higher range but she will use head voice instead of trying to push her mix. Anything above C5 gets either too heady and her larynx shoots up, sounding rather strangled or she switches into head voice.

#Boa valenti chords how to#

She knows how to project her voice but her support is rather shallow and she tends to sing through her throat very often.

BoA’s strength is her ability to stay in a lower range and quickly transition up to a higher range without much change in tone or larynx movement.īoA’s mixed register is very weighty and chesty in its lower part from G4 ~ C5, where she at times will produced an opened more well projected sound with decent support, or at other times a more piercing shouty sound to her voice. At times she’s able to produce fuller notes below that range, but at others she’s rather quiet and breathy. It’s not too projected or resonant but it’s supported well enough down to F#3 and F3. Most of the time she uses a healthier technique by transitioning into head voice rather than pushing her mix/chest up too high, to allow for a smarter vocal approach.īoA’s lower register tends to be very easily produced, with cord connection and a clear sound. She’s always been able to transition into ballads and pop, rather than being a vocalist, she’s more of an entertainer all around. BoA’s range is extensive down below allowing for more mid-rangey songs most of the time. She’s got a bright voice with a certain weightier quality to it due to the excessive chest she uses at times. Her voice is piercing, unique and very individual. Although being an idol singer, she has a very extensive career which has lasted more than over a decade. Overall analysisīoA has a very different voice from most other female vocalists in K-pop. She is able to do some easy vocal runs with decent pitch but they’re slightly tight and almost robotic.

She is able to transition well into head and without any problems in pitch, however above F5, tends to lose tone and become more of a falsetto with a very tight tense sound.Īlthough having a light voice, BoA’s voice is rather slow.

Upper register: Very overused and tends to sing more with head than mix.

Notes in the area from G4 ~ C5 tend to be opened most of the times with a lifted soft palate, but other times pushed and throaty, more like a yell than a real supported sound. Either BoA’s mix is very pushed with a high larynx and a throaty sound, with too much weight carried up, or too bright and heady with a tight high larynx sound.

Mixed register: Able to use a heady mix or a chesty mix, but not a balanced mix.

Although breathy, however, BoA is still able to produce more tone quality into her quieter lowest notes than most female vocalists with average lower registers.

Lower register: Able to produce supported and well connected notes in her lower chest, down to F3, occasionally D3’s, Eb3’s and E3’s are supported, at others very quiet and breathy.

Although having an extensive career, technique has not improved much if at all through her years.

Although being able to at times support lower register, at other times it’s quiet and slightly too breathy.

Underdeveloped mixed register with either too much chest or head, not balanced.

Tends to squeeze a tense falsetto above E5.

Although able to lift her soft palate in low to mid-belts, tends to be nasal quite often.

Larynx is unstable, tends to push with her throat more often than necessary.

Pitch is almost 100% of the time on point, much more consistent than many other vocalists.

Able to use falsetto, head voice and a more mixed head voice for effect.

Decent use of head voice and falsetto, able to keep good production mostly till E5.

Healthier singing than most due to more use of head voice rather than a pushed mix.

Achieved resonance/open throat at times up to C5.

Having a better developed chest voice than most k-pop female vocalist.

Able to keep decent tone production down to her lowest notes at times.

D3 ~ C#6 (2 octaves, 5 notes and 1 semitone) Supported Range